Bojana Kunst (Maribor - Slovenia, 1969)
In 1994, she majored in Philosophy and Compared Literature from the University of Ljubljana. In 2002, she obtained her PhD in Philosophy with a thesis entitled ‘’Philosophy, aesthetics and art, between the organic and the technological, the aesthetics of the body and the art of post-modernism’’.
She is a Tenured Professor at the Institute of Applied Theater Studies/ATW-Institut für Angewandte Theaterwissenschaft, University Justus-Liebig at Giessen, where she runs the International Choreography and Performance Masters Program.
She gives lectures, seminars and laboratories in different academic institutions and European artistic organizations.
She is a member of the editorial committee at Maska Magazine, Amfiteater and Performance Research.
Some of her publications include Impossible Body (1999), Dangerous Connections: Body, Philosophy and Relation to the Artificial (2004), Processes of Work and Collaboration in Contemporary Performance (2006), Performance and Labour (2012, ed. with Gabriele Klein), Umetnik na delu (Maska 2012), and Artist At Work-Proximity of Art and Capitalism (2015).